02 Process
Preliminary Area Research
Public art as placemaking enables citizens to have a different experience of place from the everyday spaces they pass by casually, and transforms unused and neglected spaces into special places. A multifaceted understanding of the area is essential in order to utilize everyday spaces without interfering with the lives of citizens, while at the same time providing new experiences in line with the changing times.
In 2019, various literature surveys and field surveys were conducted in Yujinsangga, the backdrop of Hongje Yuyun. Yujinsangga is located in the center of the Hongje living area in Seodaemun-gu, which has excellent ecological resources. The surrounding area is an aging neighborhood, and before the creation of the open Hongje Cheon-gil, the lower part of Yujin Shopping Street was cut off from pedestrians, with only about 100 local residents using the street per day. Yujinsangga, which has been maintained for 50 years without repair, suffering from a series of failed redevelopments and partial demolitions, was the first major shopping complex in Korea and was a representative landmark of Seodaemun-gu in the 1970s, but today it is recognized as an eyesore. When the Hongjecheon Promenade was built in 2019, an impressive landscape of more than 100 colonnades supporting Yujin Sangga across the Hongjecheon River was discovered in the space beneath the artificial ground. The space was created on the opposite side of the promenade, which had been inaccessible to people, and a bridge was built to connect the paths.
Developing the idea
In the case of Hongje Yuyun, the keyword 'connection' was used to transform the site into a place with a new cultural meaning: by connecting the new connection between Hongje Stream and Yujunga Shopping District through public art, the project hopes to encourage residents to utilize the site, increase the number of people entering the area, and mitigate the history of conflict. By creating a new 250-meter-long space under Yujin Shopping Street and implementing eight synaesthetic public art works using immaterial materials such as water, sound, light, color, movement, and technology, Hong emphasized the attitude of recording and sharing the invisible meanings and values of the site. At the same time, the project sought to imagine the future of natural life and technology in the urban ecosystem through the special environment of the Hongje Stream and buildings.
How the competition was organized
Under the theme of 'A Waterway Through Which Art Flows,' Hongje Yoo Yeon wanted to reconnect Hongje Stream, which had been disconnected for 50 years, and create a new beginning for the Yujinsangga shopping district located above it. While considering the spatial characteristics of the underground land, which was designed for military defense purposes and was crossed by 100 pillars that supported buildings and roads above ground, the exhibition invited artists to express invisible life and nature such as light, breath, sound, and temperature. Selected artists Mün, Jin Kijong, Yoon Hyungmin, Yoon Sanghoon, and Team Co-work installed various new media works, and some works were completed with the participation of citizen artists (students Hong Jeecho and Inwangcho, and messages from 1,000 citizens).
Implementation
Due to the nature of public spaces that are used by citizens all the time, considering the spatial specificity of the Noksapyeong Station Underground Art Garden and Hongje-Yu-Yeon installation process was as important and challenging as realizing a complete work in accordance with the planning intention. To this end, various regulations, deliberations, and special considerations such as safety were examined in advance to determine feasibility, the project was managed in a stable manner considering the appropriate execution budget and completion deadline, and measures were taken to minimize inconvenience to citizens during the installation period.